个事实可能与我们的直觉相反认为一旦全部包括了几乎所有的英文单词，您就可以一劳永逸，这似乎很合乎情理;下面是有优美英语小散文，欢迎参阅。

优美英语小散文：勤劳肯干总不是错的

Office protocol can make it difficult for one employee to ask another for help. While no one likes the shirker who never seems to be able to quite get his own projects finished and turns helplessly to peers for assistance， most will willingly volunteer to lend a hand to someone who has helped him or her before. 勤劳肯干总不是错的。

If you know a coworker is working through lunch on a large client packet， your volunteering to stay and help will be gratefully received and most often returned when it's you who is stuck. I say voluntarily because your offer does not add up paid overtime hours. It is only helping a peer in need. 这种帮助无异于雪中送炭。不要计较太多，你的善心会得到回报的。

If your offer is accepted， you do not， however， store it away in your mental favor bank or ever remind everyone what a good person you were for helping——you simply hope the favor will be returned when it's you who is overloaded. 一旦你的好意被接受，不要刻意地老记着或提醒每个人您曾如何地帮助过他们——在你遇到力不从心的情况下总会有人回报你的。

优美英语小散文：Life is full of choices 选择积极地生活

Michael is the kind of guy you love to hate. He is always in a good mood and always has something positive to say. When someone would ask him how he was doing, he would reply, "If I were any better, I'd be twins!" He was a natural motivator.

If an employee was having a bad day, Michael was there telling the employee how to look on the positive side of the situation. Seeing this style really made me curious, so one day I went up to Michael and asked him, "I don' t get it. You can' t be positive all the time. How do you do it?"

Michael replied, each morning I wake up and say to myself 'Mike, you have two choices today. You can choose to be in a good mood or you can choose to be in a bad mood.' I choose to be in a good mood. Each time something bad happens, I can choose to be a victim or choose to learn from it. I choose to learn from it. Every time someone comes to me complaining I can choose to accept their complaining or I can point out the positive side of life. I choose the positive side of life."

"Yeah, right. It isn't that easy." I protested.

"Yes it is, " Michael said. "Life is all about choices. When you cut away all the junk, every situation is a choice. You choose how you react to situations. You choose how people will affect your mood. You choose to be in a good mood or bad mood. The bottom line is: It's your choice how you live life. " I reflected on what Michael said.

Soon thereafter, I left the big enterprise that I had worked in for years to start my own business. We lost touch, but I often though about him when I made a choice about life instead of reacting to it. Several years later, I heard Michael was involved in a serious accident, falling off 60 feet from a communications tower.

After l8 hours of surgery, and weeks of intensive care, Michael was released from the hospital with rods placed in his back. I saw Michael about six months after the accident. When I asked him how he was, he replied, "If I were any better, I'd be twins. Wanna see my scars?" I declined to see his wounds, but did ask him what had gone through his mind as the accident took place.

"The first thing that went through my mind was the well being of my soon-to-born daughter," Michael replied. "Then, as I lay on the ground, remembered I had two choices: I could choose to live or I could choose to die. I chose to live." "Weren't you scared? Did you lose consciousness?" I asked. Michael continued, "... the paramedics were great. They kept telling me I was going to be fine. But when they wheeled me into the operation room and I saw the expressions on the faces of the doctors and nurses, I got really scared. In their eyes, l read 'He's a dead man.' I knew I needed to take action." "What did you do?" I asked. "Well, there was a big burly nurse shouting questions at me" said Michael. "She asked me if I was allergic to anything. 'Yes,' I said. The doctors and nurses stopped working as they waited for my reply. I took a deep breath and yelled", 'Gravity'" Over their laughter, I told them, 'I'm choosing to live. Operate on me as if I am alive, not dead'."

Michael lived, thanks to the skill of his doctors, but also because of his amazing attitude.

I 1eamed from him that every day we have a choice to live fully. Attitude is everything.

迈克尔总是乐呵呵的，你总能听到他说些积极上进的话。他似乎生来就积极进取。他这样告诉他的员工：“每天早晨醒来，我对自己说，迈克尔，今天你有两种选择，选择心情愉快，选择心情恶劣，我选择心情愉快;有不愉快的事情发生，选择成为一个牺牲品，或是选择从中吸取教训，我选择吸取教训。”

迈克尔从60英尺的大楼上摔下，却活了下来，当有人问及他当时的想法，他是这样回答的：“我告诉我的手术医生，‘我选择活着，我愿意做任何手术。’”

选择接受生活的积极面也许是人生中最为明智的选择，其实，每个人都有机会充实、健康的活着，关键取决于你的人生态度。

优美英语小散文：Celine Dion 十年倾情

Albums: All The Way - A Decade of Song

Phil Spector, the genius producer behind such classic '60s hits as "You've Lost That Lovin' Feelin' " and "Be My Baby," devised a production strategy called Wall of Sound in which all the instruments on a record were put in the service of one massive sonic blanket. Celine Dion's records work on a similar principle. Her songs are slathered in huge timpani and heavy orchestral arrangements. But where Spector aimed to sonically approximate the messy emotions his singers were feeling, Dion and her legion of hack music biz professionals (most notoriously, producer David Foster and songwriter Diane Warren) meticulously fashion each bit of bombast merely so it fits unobtrusively and inoffensively into the background of our lives.

Not one of her albums has thus repaid close attention and, unfortunately, All the Way ... A Decade of Song, her long-awaited greatest hits-plus, is a lot more of the same. You'd think a greatest hits album would be the place to cherry-pick those moments that have reached out and touched you. For sure, the Irish pipes that open "My Heart Will Go On (Love Theme from "Titanic")" pluck at the heartstrings as they conjure the memory of that doomed luxury liner. And "It's All Coming Back to Me Now" is a camp masterstroke. The way the piano tinkles outles out the theme or fun little touches like the drum crash after "thought you were history with the slamming of the door" make up in thrilling melodrama what the song lacks in rhythmic thrust.

But practically everywhere else, the dull background noise eventually annoys you in the foreground. Right off the bat, the well-tempered synthesizer intro to "The Power of Love" is literally unlistenable, hitting the ears only when she belts "Cuz I'm your lady... " The musical backdrop to "The First Time Ever I Saw Your Face" is so vague that it barely registers as anything at all, much less a cover. Her reprehensible "duet" with Frank Sinatra's voice, "All the Way", doesn't kick in until Ol' Blue Eyes gets resurrected.

In every one of these examples, the focus is on Celine and her enormous voice. Because she's so in love with her pipes, she won't surrender any of the song's identity or shape. Ultimately, then, what you walk away with (or eject from the CD player) is self-absorbed schlock.