孤燥的英文字母在作家的编织下，也能变成一片优美的哲理文章。不信，你看。下面是小编为你整理的关于英文优美哲理文章，希望对你有用!

关于英文优美哲理文章1

Once upon a time a psychology professor walked around on a stage while teaching stress management principles to an auditorium filled with students.

曾经，有一位心理学教授在讲台上来回走着，向满席的学生传授压力管理原则。

As she raised a glass of water, with a smile on her face, the professor asked, “How heavy is this glass of water I’m holding?”

当她举起一杯水，笑着问：“我举着的这杯水有多重?”

Students shouted out answers ranging from eight ounces to a couple pounds.

从八盎司到几磅，学生们大声地喊出答案。

She replied, “From my perspective, the absolute weight of this glass doesn’t matter. In each case, the weight of the glass doesn’t change, but the longer I hold it, the heavier it feels to me.”

她回答道：“在我看来，这杯水的绝对重量不重要。在各种情况里，这杯水的重量都没变，但是我举得越久，我就觉得越重。”

As the class shook their heads in agreement, she continued, “Your stresses and worries in life are very much like this glass of water.”

当全班晃头表示同意时，她继续说道：“你们在生活中的压力和担忧就非常像这杯水。”

It’s important to remember to let go of your stresses and worries. No matter what happens during the day, as early in the evening as you can, put all your burdens down.

记得放开你的压力和担忧是非常重要的。不管那天发生了什么，到了傍晚，你应该尽快放下你所有的重担。

如果你仍能感觉到昨天压力的重量，这是一记重要的指示，告诉你是时候把杯子放下了。

关于英文优美哲理文章2

The first time I ran, like really ran, was during middle school gym class. It took me 11 minutes and 47 seconds to finish a mile. I've been running ever since.

我第一次跑步，那种真正的跑步，是在中学体育课的时候。我花了11分47秒跑完了1英里。自那以后，我一直在跑步。

Running is the kind of thing where you put in the time and expect to see results, and let me be the first to tell you: It is supremely discouraging when you don't. It's discouraging when you run a five-mile race with your entire family and come in a solid 15 minutes behind everyone else, and it's discouraging when that time is no faster or slower than your five-mile time five years ago.

跑步是一种你会投入时间并期待成效的运动。让我做第一个告诉你这个的人：你没有做到的时候，你会刚到非常沮丧。当你和所有家人一起来一场5英里赛跑却落后了每个人15分钟的时候，是十分让人沮丧的;当你跑完5英里的时间并没有比5年前更快或更慢的时候，也是十分让人沮丧的。

And yet, my alarm is already set for 6 a.m. tomorrow, even though it's probably going to be rainy and definitely going to be cold and even though most of the time, I really hate running.

但是，我已经把明天的闹钟设置为早晨6点钟了，哪怕可能会下雨且一定会变冷;哪怕大多数时间，我真的讨厌跑步。

Don't ask me why. All I know is this: As much as I hate running, I love being a runner.

不要问我原因。我所知道的一切就是：我喜欢成为一名奔跑者和我讨厌跑步的程度相同。

There's some kind of camaraderie between people who spend more money each year on running shoes than on all their other shoes combined, and there's some fundamental similarity between people who can cross 10 miles without pausing.

比起购买其他所有的鞋子，每年花更多的钱买跑鞋的人们之间有着某种友谊;那些不用暂停就能跑完10英里的人们之间也有着根本的相似性。

On days that I run, I exert myself purely for exertion's sake. If you run too, you get why.

在我跑步的日子里，我只不过为了努力而努力。如果你也跑步，你会懂的。

When you're a runner, your people are the girls with hair elastics on their wrists and the boys with shorts shorter than yours. They might be better, faster or stronger than you, but you belong with them.

当你做奔跑者的时候，你的同伴会是那些手腕上有用来扎头发的橡皮筋的女孩子们以及那些穿着比你裤子还短的短裤的男孩子们。他们也许比你更好、更快或者更强壮，但你和他们是一起的。

It took me almost 10 years of plodding along at an 11-minute mile before I realized that I could call myself a runner, no matter how slow I go or how many races I lose.

我花了将近10年时间才做到在11分钟内跑完1英里，后来我才意识到，我可以称自己为一名奔跑者，无论我跑得多慢、无论我输掉了几场比赛。

I've laced up my shoes at least once a week since the first day I stepped foot on a track in middle school. Some weeks it's every day, some weeks it's not. Some days, I'll barely go more than a mile, and some days, I'll walk more than I jog. I may not have medals, but I have fresh air, time alone, and creaky knees and tight quads.

自从我在中学踏上跑道的第一天起，我至少每周会束紧鞋带跑一次步。有些时候我那周的每天都绑紧鞋带去跑步，有些时候不是。有些日子里，我很少跑超过1英里的距离;有些日子里，我散步的次数会比慢跑多。我可能没有奖章，但是我能呼吸新鲜空气、拥有独处的时间并有吱吱作响的膝盖和结实的股四头肌。

For me, that's enough. I run, so I am a runner.

对我来说，那就足够了。我跑步，所以我是一名奔跑者。

关于英文优美哲理文章3

The gas station nearest my house happens to face a strip club. It is apparently a very successful strip club, as they could afford to install a LCD screen on their roof that might be visible from the Space Station. It's certainly visible from the gas station. At some point my eyes will drift up while pumping gas, and there will be a one-story image of a young woman in some stage of near-undress.

离我家最近的加油站对面碰巧有一家脱衣舞夜总会。这家夜总的屋顶装了一个巨大的LED屏幕，说不定在太空上都看得见。能够支付这样的费用，看来经营得非常成功。不用说，在加油站也能看见那块屏幕。在加油的时候，我会不经意地往上看，一层楼高的屏幕上显示着一个几乎一丝不挂的少女。

As I was getting some gas this morning, I wondered for the first time what a woman pumping gas thought when she looked at that screen. Though it would depend on the woman, I thought. A woman who had once been an exotic dancer herself would certainly look at that image differently than a Catholic nun.

今天早上，我又来到这里加油，脑海中突然有一个问题挥之不去：一个女人来加油的时候看到那块屏幕会有什么想法呢?我觉得那要看她是个怎样的人。曾经当过脱衣舞者的女人和天主教的修女肯定会对那个图像有不同的看法。

The image would look different to each of us. And when I say look different, I mean we would be seeing what amounts to a different image. For while the young woman's pose and attire that I see are identical to the pose and attire that every other man, woman, and child sees, the story that image tells me is told uniquely by me, by my own ideas about women and advertising and maybe even gas stations.

那张图像对每个人来说都是不一样的，这个不一样是指我们会产生不一样的想法。虽然那个少女的姿势打扮在每一个男人、女人、小孩眼中都是一样的，但是我在那图像中捕捉到的故事是独一无二的，是由我自身对女人、广告、甚至是加油站的想法创造的。

The image is nothing; the story is everything. Good to remember if you're a writer. Writers don't report the facts. The fact that there is a strip club with a giant LCD screen blazing near-nudity for all to see means nothing in reality. All that ever matters is what a person believes when they look upon it. What a person believes is the terrain of the storyteller.

图像本身什么都不是，故事才是一切。如果你是个作家，你会知道作家并不是描写现实。那儿有一家脱衣舞夜总会，屋顶上有一块巨大的LED屏幕，屏幕上显示着几近裸体的少女，这是现实，没有意义的现实。真正有意义的是人看到这个景象时萌生的想法，人的思想是创作故事的土壤。

And by the way, it is the only terrain of the storyteller. Storytellers, whether they are conscious of it or not, wish to alter reality. We are not so interested in changing the image that flashes on the great LCD screen of the world. Mostly that's beyond our control. We could march, or protest, or fill out petitions to get the screen changed, but it's faster, ultimately, to tell ourselves a story about what we see there.

而且，思想是创作故事的唯一土壤。讲故事的人会有意无意地想去改变现实。我们不是想把现实中大屏幕上惹眼的图像换掉，大多数情况下我们都是有心无力。我们当然可以游行示威，写信请愿把那屏幕换掉，但说到底，更快捷的办法是给自己讲个跟眼前的事物有关的故事。

I sometimes forget I have to power to change that story. My mind drifts as idly from thought to thought as my eyes drift from gas pump to pinup. What occurs in this exchange between the world I look upon and the story I tell can happen so fast, can be so habitual, that I can lose track of who is telling the story I am hearing. The moment I remember, the moment I see my mind as a blank page on which to write my life, I am the author once more, and my life is mine again.

有时候我会忘记自己有改变故事的能力。我的视线四处游动，从汽油管飘忽到半裸少女，我的思维也跟着漫不经心地跳跃。把眼前的事实创作成的自己故事，这就像我的习惯一样，一眨眼的功夫，我已经分不清我到底是在创作故事，还是成为了故事的主人公。等我回过神来的时候，等我空白的脑海重新回想起自己生活的时候，我又重新成为故事的作者，重新回到了自己的生活中。